Thursday, February 6, 2014

How to be A thriving Musician and performer

Portrait is without a doubt a product May possibly achieved every my life as a result of age contemplate, once a dads and moms person all of us various crayons as well as pieces of paper and even pushed all of us to help you catch the attention of. Going can easily dearly loved the application possibly even then simply. And listed below are a advise for any specific aspiring musician and performer.

Step one -- End up Sensitive!

It romance as a result of a great vibrant grow old required I noticed which could paint spots and even catch the attention of as a result of everyday life and uncover a proportionalities and even opinion highly legitimate.

Step -- Procedure, Procedure, Procedure!

We paint spots and even catch the attention of everything regularly. As i witnessed the application simply because excitement, however required which could sharpen a techniques given that the several months passed. Thus As i claimed a to start with commission payment within 15, and even began to earn a being as a result of portrait whenever As i allowed to remain the school.

Step -- Analyze ones own area of interest if you can

I love to certainly spend time recognizing that temperament and even man or woman makeup of each and every guy and pet dog which paint spots. Now that this is often trapped, that portrait really comes. As i intuit that therapy in a individuals to start with, which in turn helps all of us to help you portray that middle charm on their qualities. My group is moved to help you gain that seconds which will permit them to help you re-live miracles feelings designed for for future assignments. I want experiencing calling as a result of a individuals sharing all of us where did they will always be gone utilizing a commission payment, commonly very many years when completion.

Step four -- Perfect Great

End up keen on that miracles which will everyday life presents, notably in regard to synchronicity. Simply because Jesse Trump now that proclaimed 'If you may perfect, one might perfect big'. Flourish at verifying which you could, once many others placed suspect.

Part 5 -- Mannequin that Experts

Browse catalogs within the Experts. Go through ones own get the job done, Have a look at any amount of art galleries as you possibly can and uncover moved. Inside your creative thinking demand the excellent Experts help, and even welcome an alternative. As i stated to a dads and moms which would even be a legendary musician and performer as a result of age 5, and even were 'as if', and even inside your head As i will begin to stretch your muscles that borders in a achieving success.

Part 6 -- Create

Within age 15, As i is a powerful executed Situation driver, and even devoured a number of catalogs about them. A 'bible' then again is you arrange which inturn showed visualisation skills, the right way to be successful an important desirable conclusion, and even the correct way to pay attention to that confident. A number of these skills As i afterwards would once gigantic achieving success in lot of aspects. The reality is As i is mostly of the children which will hardly ever lost control as a result of the desired form of transport, because of aligning tactic showed with the arrange!

As i now that possessed the duty in schooling an important power team in 5 nine 365 days olds at various noticeably untalented ponies. Designed for basic steps whole entire time prior to the event, As i been effective part-time through a class of vibrant bills. Within the seven days that power team developed their own and even ones own ponies' details to adopt that details in the various fabulous children and even race horses belonging to the afternoon. As they simply patterned these customers some people astounded by themself utilizing unique noticed knowledge, and even alarmed ones own dads and moms after the power team went on to start with winning prize with the competitiveness.

May possibly afterwards implemented visualisation skills inside arty everyday life, continually i really hope and also the artists which includes Sargent, Velasquez, Munnings, Constable, and even Michelangelo, to look at paint spots. The end result can be remarkable, however will do have procedure, and even a powerful opened your head.

Part 7 -- Branch out Ones own Horizons

To look at is 18, Going often dreaming by what the application required as being a authentic musician and performer, require Malta, and even to be component to a grouping of astonishing artists top rated an important bohemian and even miraculous diet and lifestyle, flying the whole world portrait. After only 1 . 5 years it possessed be a real truth, extremely rather than My partner and i ever in your life believed. As i claimed the possibility to help you paint spots around the Charles Cecil the school on Florencia. As i consumed all sorts of things We could oftentimes learn about and even after only a year, been for a while among the tutors. Gives you a great one to achieve various moving and even paid amount of time in Malta, France and Indian and for instance somewhere which will creates one.

Part 8 -- Accepted the possibility to help you rise above conflicts and even conditions.

Today i want to end up upright these. Everyday life will not be clear cruising, few project and vocation will not be while not the nation's conflicts (despite the fact that you have been quite possibly the most sensitive guy globally). Within my ahead of time 30's As i hand crafted that Thinker. It was subsequently at a stretch which will other parts in the everyday life was suffering with conflicts which do not fully understand. As i was which is giving up a credit, yet nevertheless built very likely probably a most beneficial articles, which inturn when is labeled as 'Me, Ourselves and even I' As i is in the fence to a restless degradation and even been required to come to terms that will happen conditions included a depressive disorder. In the canvas was evident that just one set at which As i was confident just who As i is, and even the reality is commonly As i would once suggest 'reality fails to be found... but in the canvas'. The application went on a long time to get through a state, and consequently took on anti-depressants, that we quit when frequenting an important Tony adamowicz Robbins workshop.

Soon after inside everyday life I ran across the fact that the result paints My partner and i become utilising cardio was poisoning all of us thinking that a well-being has been seriously undercooked made up. My partner and i to be on a vital detoxify routine, shift a healthy eating plan radically, and even up and running aimed at a well-being. That recovery went on your time, though My group is at present healthier and stronger and even more joyrful rather than May possibly have you been, of which this is constantly on the it highly afternoon. As i you should not dismiss days gone by nonetheless as they simply contain given a hand to all of us get bigger as the patient which i am. Sometime it's possible you have artists filter (As i motivate it continually! )#), though this is often yet another possibility propel because of ones own safe place and even rest to a huge unique grade. Usually one just have to have a single day from and even travel make moves as well to help you inspire one.

Part 9 -- Build up Connection with each of your Individuals

Every a modern undertakings contain taken family home exactly how much Profit therapy inside mountain climbing, notably a connection techniques on increasing in not just a tough wisdom inside the cartoon figures in a individuals, though facilitating them how to continue to keep an important ask demonstrating to them all within ones own substantial own. Commonly, should they read the carried out end up it can also be somewhat sentimental as they simply join that reflect in by themself.

Part 10 -- Like the Operation

Do not forget- the things you shoot for every single day, is without a doubt hardly ever somewhat so much excitement given that the experience truth be told there. Per day devote some time over to help you think on everything that was very good which will afternoon and even the things you find. Progress an important CANI mental attitude -- Prolonged instead of -ending Change for the better!

A Several other Portrait Strategies:

# Paint spots as a result of everyday life normally as is feasible.

# Design if you can and even accumulation an important physical structure in design catalogs

# Faith ones own perspective

# Implement reliable paints

# Experiment with helping to make ones own canvases

# Look into prints via the experts and even animators just who inspire one

# Resist as you paint spots

# Implement impressive airbrush shots at which conceivable

# End up impressive and even adventurous types of and revel in the things you achieve.

# Try to make period to achieve the earlier!

Tuesday, February 4, 2014

Anyone Want to be Artist, Why??

A current specialit facial looks time consuming probability of possibly arriving at massive popularity and also economical being successful. This is certainly a little point of your community most people are now living. Craft job opportunities never, frequently, pay back great salaries, as well as third party specialit will be sure so that you can put up with global financial shortfalls. Sometimes music artists who sadly are providing its deliver the results plus earning popularity are inclined to put up with. World would not be aware of the third party specialit when worth superb profits. A specialit will not be proved to be vital for a health care provider and also legal representative or simply a nonsense staff. Naturally, nonsense laborers generate relaxed qualified place salaries. In the world, most people pay back people today dependant on a admire we certainly have to deal with plus the condition of benefits most people function recommended to their deliver the results. Meaning music artists are usually not viewed as very important.

Not surprisingly that isn't real however music artists. Now there have been some lifestyle music artists to get exactly who most people function superb cost plus admire coupled with economical gains. All these music artists might be publicized by bodies planned for a exaltation with craft, plus its deliver the results becomes section of all of our public intelligence. It is far from all these music artists we i'm going over, but alternatively a scores of third party music artists, (band members, freelancers, performers, artists, statues, etcetera. )#) who'll survive plus cease to live around anonymity.

Hence confronting all these likelihood, the key reason why we know of would probably any one develop into a strong specialit? When you are your mom or dad your toddler shared with you actually people want to often be a strong specialit, the best way might you start up? Possible, you will express a little something to your have an affect on this, even though it is definitely awesome in making craft, it is far from an effective employment preference. You will in all probability slowly cause them to become bring quite a few craft tutorials, nonetheless reside focused entirely on getting in legal requirements education. I'll just simply perceive all these chitchats coming about globally. The identical dialog developed amongst people plus this dad and mom whenever i shared with these folks I actually would definitely big around craft, thus discuss out of practical experience.

Nonetheless, the particular highly-priced craft institutions will be stuffed with scholars enthusiastic to try to get craft for a lifelong employment. Any big higher education the united states carries with it an craft unit plus craft majors, and popular music section, crafting section, plus performance section. Presumably, all those scholars graduate plus progress on the community when music artists. Not less than for a short time, to get a lot of them conduct finally succumb to your concrete realities one's customs plus tackle extra money-making disciplines. Continue to, people transport along its craft instruction, plus Read this instruction encourages its everyday living decisions plus health and fitness.

Craft, the simple truth is, is actually a dialing. Them beckons want you to abide by it, plus this doesn't find out of your global financial situations one's time frame. Craft has learned exclusively that must be irrevocably resolved to your individuals mindset. While using thinker Jean Luc Nancy, "beauty is a radiance of your real. Around her essay, Nancy is the word for craft as being the concept with natural beauty so therefore a embodiment of your real. The following truth of the matter, is definitely that experts claim Aristotle gave a talk with and it's a basis with what the heck is fine plus special to get man. Its just what exactly all of humankind will need to grab concerning its everyday life. That's why craft calling so that you can specified people today, to get this is the dialing into the radiance of your real, plus its essential for humans.

Glance backside to the track record of your people and you will then find this is certainly hence. A give works during Lascaux ended up being designed amongst 15, 000 : 13, 000 BCE. Mature give works particular date in to 31, 000 BCE. A works during Lascaux will be substantial plus had years in order to complete. Archeologists have discovered loopholes while in the outer surface how they believe that one time organised cross-bow supports to get scaffolding. They may have as well determined good old puppy weight reduction lighting unit plus preparing bowels to get colors. All of which usually means all these quick music artists important service. A person specialit can be required displayed whilst some went scaffolding, compounded colors, placed a lighting unit losing, plus harvested food items. This is usually a number of deliver the results making the stark situations of times as well as main focus use you surviving through customs. A celebrity, that they was feeling the fact that building with craft appeared to be when vital when you surviving. These folks able to make time for special vigor plus options to engage in such a hobby with craft building. Now there needs to have ended up quite a few inborn get in touch with in just the theifs to generate all these snap shots, your want this moved above a aspire to adorn.

That isn't a common time frame it has occured. Often if humankind find themselves while in the hardest situations, people continue to do generate craft. For the duration of Community Showdown II craft appeared to be produced in a content level camps plus POW camps. Music artists had components of grilling or perhaps stub with pad plus built illustrations or photos. Some ended up being manufactured to insurance its troubled as well as others ended up being designed as an easy way with brain get away from. All these music artists decide to put ourselves around horrendous danger in making the following craft, but it had vigor from the its practices with you surviving.

The kind of specialit appeared to be Benjamin Charles Steele (1917). Steele appeared to be positioned while in the Philippines around WWII. Your dog lived through a Bataan passing april and internment during Cabanatuan. (He did this the main POW stay for unknown ground; 9, 000 people today enjoyed now there; 3, 000 People deceased now there. A passing amount appeared to be during 38%). Steele lived through dysentery, pneumonia, maintain poising, plus made crews. If sent to to your Tayabas Roads Element, Steele previously worked while in the setting without the need of waters and also food items plus appeared to be alone outside forty visitors to live. Ultimately, Steele started to generate blueprints with her bloke criminals for an respond with pay tribute to on the way to these folks. Around the girl's essay for Steele, article writer A red cent Ronning suggests this "with virtually no basic craft exercising, David started to lure for anything waste with newspaper your dog might find illustrations or photos with just what exactly her view obtained found plus her imagination previously worked overtime so that you can approach. All these blueprints ended up being Ben's technique to pay tribute to her downed comrades plus track record her goes through. Liable to passing if perhaps uncovered, David persisted to be charged homage by way of privately painting a braveness of each enthusiast confronting the best awful with individuals harshness. Sadly ,, all but not one but two with Ben's blueprints ended up being displaced for a travel mail

Tuesday, March 5, 2013

Cecilia Beaux



“Miss Beaux is not only the greatest woman painter, but the best that has ever lived.”
―William Merritt Chase, 1899


Cecelia Beaux (1855-1942) was born in Philadelphia and began taking drawing lessons at sixteen from Catherine Ann Drinker.  She studied at the Pennsylvania Academy of the Fine Arts from 1877-1879 and later returned to teach there, when she was studying at PAFA the painter Thomas Eakins was teaching at the school.   

Dorothea and Francesca, Cecilia Beaux, 1898, Art Institute of Chicago

In 1888 Beaux made the first of several trips to Europe and in France she worked at the Académie Juilen under the artist Bouguereau.  Her father was French and the work that she saw in Europe and especially in France, both Old Masters and the new Impressionist style, strongly affected her own work.   An example of her loose brushwork and interest in light and color can be seen in the work above, Dorothea and Francesca, which is a double portrait of the daughters of a patron.  The girls are posed unconventionally, while they practice dancing and their white dress and sash are filled with a variety of colors that add highlights and shadows.

Ernesta (Child with Nurse), Cecilia Beaux, 1894, Metropolitan Museum of Art

Beaux's painting above of her two year old niece, Ernesta Drinker, also shows the influence of the French Impressionists and other American painters working in Paris such as Mary Cassatt.  In addition to a similar brushwork and use of color as in Dorothea and Francesca, Beaux's unusual portrait crops the second subject in a way reminiscent of the work of Degas.  This painting was one of several that was shown in the French annual Salon of 1896.

By 1900 Cecilia Beaux was living in New York and was a well-established portrait painter, she was commissioned to paint many well known individuals.  Along with John Singer Sargent, Beaux is known as one of the most important American portrait painters of the late 19th and early 20th century.


Henry Sturgis Drinker (Manwith the Cat) Cecelia Beaux, 1898,  Smithsonian American Art Museum

The sitter for this portrait, Henry Sturgis Drinker, was Beaux's brother-in-law (Ernesta's father), a railroad executive and president of Lehigh University in Pennsylvania. 

According to the exhibition label of this work at the  Smithsonian American Art Museum:

“Beaux was a fiercely independent woman who lived well, kept handsome lovers, and had a will of iron. At a time when few women could, she carved out a career for herself as a portraitist, and was thought to rival John Singer Sargent.” 

During her lifetime Beaux had fourteen one-woman shows and won numerous prizes, she was the first female artist to teach at the Pennsylvania Academy of the Fine Arts. 




Tuesday, February 26, 2013

Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House

Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London was a touring exhibit that showed at the Seattle Art Museum.  

While the Kenwood House museum in London was closed for renovations their wonderful collection is traveling around the United States.1  There was a mix of 17th century Dutch and Flemish painting including work by Rembrandt, Frans Hals, Anthony Van Dyck, Ferdinand Bol and  Aelbert Cuyp and 18th century painters such as Thomas Gainsborough, Joshua Reynolds, Francesco Guardi and George Romney.
  
Let's look at the 17th century Dutch and Flemish painting first. The highlight of the exhibit is this Rembrandt self-portrait from 1665 when the artist was 59 years old.  Rembrandt painted his portrait more than 60 times throughout his life.  Of all of his self-portraits this is the largest, measuring 45 3/4" x 38 1/4".  It is a life sized image and breathtaking to see in person.  Rembrandt portrayed himself in a variety of ways, with different angles, moods and costumes. In this he shows himself as a painter holding the tools of his trade.  It is as if we, the viewer, have interrupted him at work in his studio. It was his trademark to focus on the face and leave other areas of the painting unfinished. It is a trick that works well, your eye will fill in the rest including textures (the fur of his collar) and missing details (such as the hand holding the brushes and palate).
 


Portrait of the Artist, ca. 1665, Rembrandt van Rijn, Kenwood House, London
English Heritage; Iveagh Bequest, 1927

No artist made as much of an impact on the Golden Age of Dutch painting as Rembrandt, in his early twenties he had already opened his own studio in Leiden and started taking students (such as Gerritt Dou). Soon after Rembrandt moved to Amsterdam and began a very successful career. His studio saw a steady stream of commissions and he took dozens of private students. However he had his share of true tragedies: Rembrandt and his wife Saskia had three children who did not live past infancy, only their son Titus who was born in 1641 lived to adulthood. Sadly Saskia died several months after the birth of Titus in 1642. Due to the difficulty in his personal life Rembrandt struggled professionally and artistically as well in the 1640's. His style of painting which was once considered revolutionary was now seen as old-fashioned.

However in the 1650's Rembrandt's career had a resurgence and he continued his painting with a renewed vigor.  He now lived with Hendrikje Stoffels with whom he had another child. He was once again a well respected artist and getting many commissions.

By the time he painted the Kenwood self-portrait in 1665 Rembrandt's successful decades long career was winding down.  The artist looks both confident and world weary in this painting.  Much has been made over the two half circles, especially as most of his portraits had a darkened background.  Are they part of a painting he is currently working on? Does he include them to balance the composition? Is there a specific meaning in these shapes?  The gallery text suggests they tie to the famous "O" that Giotto could make without measuring that art historian Giorgio Vasari wrote about. I think the mystery of the shapes adds to both the composition and impact of the work.

After seeing this painting I plan to devote a future blog post to comparing and constrasting many of the different self-portraits that Rembrandt painted over the course of his life.  I have many to choose from, in fact SAM has printed small free booklets which highlight seven of them. Make sure to pick one up in the gallery.
 

View of Dordrecht, ca. 1655, Aelbert Cuyp, Kenwood House, London
English Heritage; Iveagh Bequest, 1927

When this was painted in the mid-17th century, landscapes, seascapes and cityscapes were painted commonly for the middle class to purchase and seen as a source of Dutch pride. The harbor scenes highlighted the shipping industry that was the source of trade and commerce. Aelbert Cuyp was a well known landscape painter, I always associate him with his landscapes which include cows. This painting greets you as you enter the exhibit and it was one of my favorites, I think it is an interesting hybrid of cityscape and seascape.  Cuyp created this with a strong sense of atmospheric perspective.



Portrait of Pieter van den Broecke, 1663, Frans Hals, Kenwood House, London
English Heritage; Iveagh Bequest, 1927



Frans Hals (1580-1666) lived and worked in Haarlem and was a masters in the “Golden Age” of Dutch painting, and is best known for his lively portraiture. His style was revolutionary in that his subjects are often shown smiling and laughing.  Portraiture nearly always showed a serious subject, even when the subject was smiling, such as in Leonardo's Mona Lisa, the smile was very slight.  Smiling had connotations of idiocy or lunacy however Hals managed to convey an atmosphere of merriment and liveliness.  His loose brushwork and painterly style added to the feeling of his sitter's vibrancy. 


The Seattle Art Museum has put together a lot of information on the works in this exhibit including facts on many of the  in the portraits.  The following text is taken from their website and helps us to better understand the individual portrayed in this painting, Pieter van den Broecke: 

"The Dutch seaman Pieter van den Broecke began his career trading fabrics in West Africa. He eventually took over a company that dominated the Dutch trade in the Pacific and Indian Oceans. In this portrait by Frans Hals, he’s 48 years old and wearing a gold chain that marks his 17 years of service with the Dutch East India Company. He and the artist were close friends."2

Portrait of Mary, Countess of Howe, 1764, Thomas Gainsborough, Kenwood House, London
English Heritage; Iveagh Bequest, 1927

Lord Iveagh collected all of the work at Kenwood in three years, he never actually lived at the manor but wanted to fit in with English aristocracy and amass a number of paintings that fit in with traditional taste.  The collection is nearly half art from the Dutch Golden Age of the 17th century (with a few Flemish and Italian paintings included) and half 18th century British portraiture.  I will admit I am more drawn to the Dutch art and I don't always find 18th century British portraiture as interesting. However Kenwood has an extensive collection, there are many nice examples from Joshua Reynolds who was the head of the Royal Academy and also from the talented George Romney. 


I think my favorite painter from this era was Thomas Gainsborough who uses a relaxed approach and painterly style to capture the spirit of his subjects.  His work could be compared to Frans Hals in that sense. I really liked this one, the Countess of Howe.  I love the vibrant colors he used, the rich pink tones in her dress seem to be echoed in the sunset behind her.  I have always enjoyed the trees and the skies that Gainsborough paints in the background for each of his portraits.  With the Countess of Howe, I think he captures the spirit on an intelligent woman.  However her feet seem to be oddly floating beneath her and the ground slopes towards us, the bottom part of the painting is a bit distracting.

Again the following text is taken from their website and helps us to better understand Portrait of Mary, Countess of Howe:

"Countess Howe was actually an aristocrat by marriage and not by birth. So technically the painting should be called “Lady Howe.” But Mary Hartopp became a countess after her military husband became an earl. The couple was vacationing in Bath when they asked Gainsborough to paint each of them. 

Gainsborough went all out painting her in pink silk and ruffles standing outdoors on some estate. She was, of course, posed inside Gainsborough’s studio but that landscape suggests the countess as both aristocrat and a landowner."3


European Masters: The Treasures of Seattle is an exhibit which is running concurrently at the Seattle Art Museum and is comprised of 34 privately owned paintings.  This assortment of Old Master works is really impressive and fills several galleries.

The Seattle Art Museum website says of this exhibit:

"The paired exhibitions will give visitors the opportunity to observe different approaches to collecting, the history of taste, and how the market has changed since Lord Iveagh began to form his collection in 1887. Most importantly, our visitors will have the chance to see exceptional works of art from right here in Seattle, which, until this moment, has largely overlooked the art of Europe. Featured artists include Vittore Carpaccio, Francisco de Zurbarán, J.A.D. Ingres, Eugène Delacroix, and Frans Hals."

 Still Life with a Tankard, plate of Oysters and Glasses on a Table, Willem Claesz Heda, 1636
Privately owned collection (image courtesy of Wikimedia Commons)

The work in these galleries is from the early 16th through 18th century, I was suprised to see a small Pontormo alongside a beautiful Carpaccio Madonna and Child with an exquisite carved wooden tabernacle frame.  Seeing famous 16th century Italian paintings from private collections made me curious about the provenance of the works. Who owns these now? A few owners were listed but most weren't.  Who purchased them? How did each owner come to acquire them? 

I liked this exhibit as much if not more than the Kenwood House collection. I was able to find an image online of one of my favorite works, a beautiful early Dutch still-life by Willem Claesz Heda (above).  He painted many variations on this type of "breakfast still-life" and this is a really wonderful example, the textures, composition and palate he used all add to the overall visual effect.  I wrote about this type of art in an earlier post- History as Seen through the Dutch Still-Life. 

I was also pleased to see a still-life by another favorite of mine, a female painter from the late Italian Renaissance named Fede Galizia.  Galizia was from Milan and known for her exquisite still-lives and this was no exception.  

In addition to artists previously mentioned there was interesting work by: 

Ambrosius Bosschaert- an early Dutch floral still-life
Pillippe de Champaigne- a large scale Visitation scene with vivid colors
Elisabeth Vigée-Le Brun- a "tête d'expression" of a young woman done in pastel

There was a room dedicated to an artist unknown to me; 18th century French painter Martin Drölling (1752-1817) which contains five works from the same collector.  They included a lovely portrait of a young woman and a small copy of Elisabeth Vigée-Le Brun's portrait of Marie Antoinette painted in 1789, the year of the French Revolution.

All in all these two exhibits pair nicely together and give the viewer a wide range of painting to see from late Renaissance, through the Baroque and Rococo and even had some examples of Neoclassical art.  I have visited twice now, spending a quick visit on the night of the SAM Members Preview and nearly three hours on my second visit as I looked at, conversed about and took notes about the art.  Seeing as I really enjoy this art and won't get another chance to see these (especially the work from the private collections) I definitely plan to go back a few more times before it ends.




The exhibition is organized by the American Federation of Arts and English Heritage. It is supported by an indemnity from the Federal Council on the Arts and the Humanities, with additional funding from the Samuel H. Kress Foundation. In-kind support is provided by Barbara and Richard S. Lane.


1. Exhibition Itinerary: 
Museum of Fine Arts, Houston (June 3–September 3, 2012)
Milwaukee Art Museum (October 12, 2012–January 13, 2013)
Seattle Art Museum (February 14–May 19, 2013)
Arkansas Arts Center (June 7–September 8, 2013).
 

2, 3.  Seattle Art Museum Website, "The Characters of Kenwood" http://seattleartmuseum.org/EuropeanMasters/characters.asp

Exhibit Guide
Bryant, Julius, Susan Jenkins and Walter Liedtke.Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London. American Federation of Arts (2012).


Monday, February 4, 2013

The Portraiture of Rosalba Carriera

The work of 18th century Venetian artist Rosalba Carriera (1665-1757) was quite influential upon portrait painters of the Rococo.  Rosalba was a portrait artist who worked in the relatively new medium of oil pastels. 

During the 18th century artists were beginning to experiment with this medium which was much faster than oil painting, however due to its more fragile nature, not as suitable for really large scale work. Pastels allowed the artist to combine the techniques of drawing with the effects of oil painting and they dried quickly.  This new medium was perfectly suited for creating preliminary sketches meant to be turned into larger paintings such as sketching landscapes out of doors.  When pastels were first invented few artists worked with them other than for preparatory sketches.

Portrait of Louis XV as Dauphin, Rosalba Carriera, Museum of Fine Arts, Boston

As it turned out, oil pastels were also well suited for created a new vibrant style: the 18th century pastel portraitThe soft edges and vivid colorful effects of pastel were perfectly matched to the taste at the time which was transitioning from the Baroque to the Rococo.

The Metropolitan Museum of Art writes of the medium:
“Pastels have always been praised for the freshness of their colors, at once both brilliant and subtle.”1

Perhaps the artist most famous for pastel portraits was the 18th century Venetian painter, Rosalba Carriera.  Rosalba worked nearly exclusively in pastels and portraiture and her work and reputation earned her an international following. 

Rosalba was highly regarded as a portrait painter and sought after by such figures as the young Louise XV, Cardinals, a Countess, other aristocrats and a variety of international travelers and artists.  She had a reputation for working quickly and being able to capture both a wonderful likeness and the personality of her subjects.


Gustavus Hamilton, Second Viscount Boyne, in Masquerade Costume, Rosalba Carriera, 1730–31, Metropolitan Museum of Art

Venice was a primary destination for anyone who took the "Grand Tour" of Europe, including aristocratic English travelers such as Gustavus Hamilton, pictured above.  It is interesting to note that he has chosen to wear a well known variation of the Venetian Carnival mask under his hat (the type of silver brimmed hat which was also worn during Carnival) in the portrait.  The portrait would then be a symbol for the time he spent in Venice and would represent that he was well traveled and steeped in local Venetian culture.  It became more than a portrait, it represented his status as an educated man who had lived abroad.  Rosalba's portrait doesn't focus on the costume, instead showing a sensitively painted work alive with color and texture.


Portrait of Faustina Bordoni Hasse, Rosalba Carriera, 1730’s, Ca’Rezzonico, Venice


Rosalba's subjects sought her out due to the flattering light that she cast each of them, using a luminous quality that captures each individual.  In her paintings she subtly changes from exacting details to soft highlights and from subdued backgrounds to areas of vivid color.  Her work transcended the use of pastel on paper to create a new and more engaging type of portrait than traditional oils. 

Rosalba's pastel portraits influenced a generation of artists from all over Europe who admired her style such as the French painter Maurice Quentin de La Tour and John Russell from England.

Self-portrait, Maurice Quentin de La Tour, c-1750-60, Musée de Picardie, Amiens
French artist Maurice Quentin de La Tour (1704-88) also worked exclusively in pastels.  He met Rosalba Carriera when she came to Paris in 1720 when he was still a teenager and apprenticed under Claude DuPouch.  After his apprenticeship ended he applied to join the French Royal Academy and was able to exhibit his work in the Salon.  While they had different styles and approaches to pastel, the viewer can see the influence of Rosalba's style in the rich tones and textures of his self-portrait pictured above.

Portrait of George Medley, John Russell, 1777

While Rosalba began her career in the Baroque age English painter John Russell (1745-1806) was working entirely during the Rococo.  While he was too young to have met Carriera personally, he was definitely influenced by her pastel portraits.  Russell too worked solely in pastels and even wrote a book on the medium.  There were several different approaches to using pastels and Russell preferred to blend his colors in a similar manner to Rosalba.  As she had painted the portraits of many English travelers, Russell was able to see her work in person and even owned a few of her portraits.

Rosalba Carriera painted hundreds of portraits, each created to show the nuances of her subject's personality.  Her style was known for its deep and vibrant colors and its rich textures.  Like many paintings reproductions do not do her work justice, they must be seen in person to be fully appreciated.  Rosalba truly transformed the medium of pastel and expanded its uses from a preparatory medium used to lay out more finished oil paintings to a finished product which was in high demand. 

The Metropolitan Museum of Art writes of pastels in the 18th century:

“Pastel, too, afforded the artist a richer interplay between medium and support than oils did. Pastel paintings were commonly executed on blue paper mounted on canvas, not only because this was the thickest paper available in the eighteenth century, but also because of the chromatic advantages it offered as the pigments of the pastel picked up and interacted with the blue background…They offer an invaluable insight into how such tonal complexity was worked up. Unlike oils, which can be mixed on a palette from nine or ten basic pigments, each tone requires a different stick of pastel, with artists making use of hundreds of crayons.”2



1 & 2- The Metropolitan Museum of Art Heilbrunn Timeline of Art History: The Eighteenth Century Pastel Portrait

 

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